Oumou Sangaré: Mogoya

Malian singer Oumou Sangaré is one of the biggest stars in African music. She is also an icon for feminism and women’s rights in her country and her songs have challenged and cajoled on a number of social issues close to her heart. Now she returns to the recording studio with her first album since the magical Seya which was released all of eight years ago.

This is in many ways a very different album from its illustrious predecessors. Sangaré was previously with World Circuit but has changed record labels and is now with the French company No Format! The new album was recorded in Stockholm and Paris together with members of a Parisian music collective. This stripped back approach is heavy on rhythm giving this a more driving, direct and accessible sound than we’ve previously heard.

What has been achieved very well is the difficult balancing act between the rock guitars, keyboards and synths, and Sangaré’s powerful vocals and stylish presence and she is very much upfront throughout and always in control. Her music roots from the Wassoulou region are never far away either and instruments such as the traditional kamelengoni are present throughout. The female backing singers complementing the lead vocal are also an essential ingredient.

It’s a relatively short album at around 40 minutes (though my copy also contained a bonus remix track) but packs a considerable punch. Of the nine songs the upbeat ‘Djoukourou’ drives along superbly while ‘Kounkoun’ achieves the perfect blend of old and new. Afrobeat drummer Tony Allen features on ‘Yere Faga’ while ‘Minata Waraba’ is a tribute to Sangaré’s mother. The haunting title song ‘Mogoya’ (it means ‘people today’) is much slower with strings and guitar.

Mogoya is released by No Format!

www.noformat.net

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