Okinawa Americana

The new album Okinawa Americana by the duo of the same name (Merry & David Ralston) does just what it says in the title. It puts together the music of Okinawa and America to make a champloo mix. Merry is an Okinawan singer and sanshin player while David Ralston is an American singer with blues and rock influences who is also a remarkable slide guitar player. He has been resident in Okinawa for many years. With this set of ten songs the two of them seem to have found their true purpose.

The pair recorded the album in various locations including Nashville, Tennessee, and Los Angeles and they are also joined by some experienced American musicians. Previous Okinawa-America collaborations, such as Hirayasu & Brozman and Oshima & Keezer, have concentrated on the Okinawan songs. This is different in that it’s focused as much on Americana as on Okinawa and many songs feature a combination of English vocals from Ralston and Okinawan singing from Merry.

This works best of all on the traditional ‘Aha Bushi’ a normally austere song which is given a makeover here that totally works. The sanshin and slide guitar play off each other to great effect and the disparate blend of Merry’s Okinawan singing and Ralston’s bluesy-gospel vocal is a treat. ‘Hiyamikachi Bushi’ is another success that drives along in the fast lane while ‘Nan Kuru Naisa’ has an English vocal about life in Okinawa and sounds like a distant relative of Dylan’s ‘You Ain’t Goin’ Nowhere’.

‘Red Wine and Mensore’ is standard country rock until Merry cuts in with a lovely counterpoint vocal to show that she is the duo’s secret weapon and her skill and effervescence lifts many of these songs. ‘Mimura Odori’ has shared vocals and a strong combination of sanshin and electric slide guitar. Meanwhile Ralston’s ‘Okinawa Is My Home’ has echoes of Ry Cooder’s ‘Going Back to Okinawa’ in its celebration of all things Okinawan. But it’s a song with more insight than Cooder’s because Ralston really knows what he’s singing about and isn’t just passing through as a musical tourist.

So we have an album that combines originals with old Okinawan songs; English and Okinawan vocals; sanshin and slide guitar. There’s also a decent version of the popular but too much recorded ‘Amazing Grace’ (renamed here ‘Mumukafu’) and a cover of Bob Marley’s ‘Redemption Song’. It’s a mixed bag but one that works nearly all the time. Most of all this is a fresh-sounding album in which all involved are obviously having a lot of fun.

Okinawa Americana will be released by Mad Music Intl on 6th August.

http://okinawaamericana.com/

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