Archive for December 2017

Churashima Navigator: Life is Treasure

December 21, 2017

Life is Treasure is the first album by Okinawa’s Churashima Navigator who were founded in 2011 by DJ Sinkichi and DJ Nu-Doh. Its five members include singer and sanshin player Kanako Horiuchi who is well known for her diverse musical adventures around the world that range from a duet album of traditional Okinawan songs with Misako Oshiro to an album recorded in West Africa with Senegalese kora player Falaye Sakho.

Churashima Navigator’s music mixes experimental beats and heavy bass influences from dub, techno, industrial and jazz and then applies this to some of the traditional songs of Okinawa to create a style they have named New Champloo. All the vocals and sanshin are by Horiuchi who seems to fit effortlessly into whatever project she takes on and her presence here is indispensable.

At least a couple of the eight tracks are extended workouts that probably take on more life in a live club setting but the album – at 56 minutes – is perfectly suited to home listening too and they find a good balance with some tracks segueing into others by way of sampling old Okinawan songs and speech. There is also an underlying political edge that is never more evident than on ‘Jidai no Nagare 2017’ a song still as vital as ever with its focus on Okinawa’s sad history of occupation and its uncertain future.

‘Hanaumui’ is a good opener and sets the tone for what follows while ‘Torisashimai’ has an unusual treatment that makes it sound more like music from another part of Asia. The band has already travelled overseas this year to Thailand and then to Mongolia for the Playtime Festival in July. What they are doing is another example of the variety to be found in Okinawa’s music scene and Life is Treasure is a solid statement. The album booklet contains lyrics of all the songs in English, Japanese and Uchinaguchi.

Life is Treasure is released by budryukyu.

https://soundcloud.com/budryukyulabel

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Music from Okinawa 2018

December 18, 2017

Music from Okinawa 2018 is a new album that gathers together music from the many different styles and genres found on these islands. The album is released by the Music from Okinawa label that has been tirelessly promoting the music in recent years and has also been involved in presenting it at the annual WOMEX events in Europe. For this compilation there are 16 tracks from a wide variety of artists – many from Okinawa and all with strong connections to the Ryukyu Islands.

The ubiquitous Kachimba4 appear with another of their Cuban flavoured tracks as do other familiar names such as Maltese Rock and The Sakishima Meeting. The most famous name, however, is the one that opens the album – Nenez. The great days of the original line-up are long gone but thankfully the track selected for this release is not from their underwhelming latest album but is ‘Kunjan Sabakui’ one of their ‘covers’ from their 2015 album Reborn. They do a good job of recreating it and it makes a fine start to the album.

The Nenez track is followed by Churashima Navigator and the band make a success of blending traditional Okinawan sounds with dub and techno on ‘Haimurubushi’. Pianist and composer Naoko Hentona also experiments interestingly on her contribution ‘Kariyushi’ which draws on Ryukyu music traditions. And Makiko Miyara, originally from Ishigaki Island, comes up with one of the very best tracks with her version of the co-written Yasukatsu Oshima/Hitoshi Uechi song ‘Marijima Hanari’.

Moving away from traditional influenced songs to broaden the selection even further there is the cheery ‘Crane’ by Naha pop trio Home Party People; there is some jazz with Element of the Moment’s evocative ‘A Girl in Blue’; and the album ends with a track from Ishigaki rapper and producer Ritto & Olive Oil. But perhaps best of all is Chihiro Kamiya with the original song ‘Kanashigwa’ from her excellent album Utaui.

Unfortunately the notes on the artists and song lyrics in the booklet are in Japanese only. However, the Music from Okinawa label can be congratulated for producing what is overall a very good album that introduces many different facets of island music. Too often in the past this has not been the case and many of the numerous compilations out there on other labels are unimaginative selections recycling the same old music and musicians. This one is different.

http://musicfromokinawa.com/

Soinu-Tresnak Euskal Herri Musikan 1985-2010

December 14, 2017

Soinu-Tresnak Euskal Herri Musikan 1985-2010 is a 70 page hardback book with CD and DVD insert on the musical instruments of the Basque Country. In the 1980s the musician and ethnomusicologist Juan Mari Beltran spent a year travelling and researching traditional musical instruments used by the Basque people and he compiled an hour long film of his findings with footage of many of the musicians who made and played these instruments. As a follow-up 25 years later he made another film containing his reflections and images related to the study. Both films are presented on the DVD.

This is a valuable and extraordinary musical adventure and in no way a stuffy academic exercise. As well as the trikitixa (accordion) and panderoa (tambourine) – still thriving in contemporary Basque music – there are rare recordings of much lesser known instruments such as the sunprinua (bark trumpet). There is also fascinating footage of the txalaparta and how it provided the “audible heartbeat of the cider-making process in the San Sebastian area”.

In addition to the instrument playing there is some arm-flinging Basque dancing not unlike Okinawan katcharsee that reminds us of the interconnectedness of culture and traditions worldwide. This new release is available for the first time with subtitles in English and several other languages while the book has rare photos and background details and information on all of the instruments.

www.elkarargitaletxea.eus

Element of the Moment: Okinawan Nights

December 12, 2017

Jazz is not the most obvious thing that comes to mind when we think about the music of Okinawa. But the Ryukyu Islands are nothing if not a melting pot of different musical genres and that includes many influences from overseas. The five members of Element of the Moment play saxophone, trombone, piano, bass and drums and have been performing regularly ever since they were formed in Okinawa in 2007.

Okinawan Nights is a live album containing eight original compositions recorded over two nights in February this year at Sound M’s in Naha. The band’s music is based on American jazz and funk with some Okinawan roots influences. On these recordings they produce a fine mix with the jazz element at the forefront.

This works best of all on two of their quieter and most melodic compositions ‘A Girl in Blue’ and ‘A Moon and Darkness’ but the whole recorded performance – at 63 minutes – offers  a very good introduction to the band and their music and shows that in Okinawa there are some very skilled musicians in many fields. All tracks were composed and arranged by drummer Akira Nakamura.

Okinawan Nights is released by Music from Okinawa.

www.musicfromokinawa.com

Beñat Igerabide: Geldialdi Bakoitzean

December 6, 2017

It’s already three years since the singer, songwriter and guitarist Beñat Igerabide announced his arrival on the Basque music scene with a fine debut album Orbainak. Now he is back with a second album, some new musicians, and a set of 13 brand new compositions. Like its predecessor, Geldialdi Bakoitzean (At Each Pause) was also recorded at Igerabide’s own Sonola Studio in Gipuzkoa in the Spanish Basque Country.

The new release shows off a broader musical palette. This expanded view is evident from the outset as the opening track ‘Indar Berri Bat’ (Renewed Force) starts off with a hint of rockabilly before delivering its positive energetic message, while the next song, ‘Numinous’, displays a new funky side of Igerabide. There are also excursions into folk, pop and rock.

Igerabide is a poetic writer but this time his words (all in the Basque language) are more concise and accessible while retaining their lyrical quality and they are delivered in an appealing voice. The overriding theme that surfaces throughout is one of positivity and courage in the face of obstacles, and the need for love and connection with nature. It’s ultimately an album with a life-affirming agenda.

There are also melodies aplenty. One of the best is saved for last with the album’s thirteenth track, the simple and beautiful love song ‘Ez Da Ekia’ (It’s not the Sun). Despite the more experimental nature of these recordings it all hangs together very well and to those familiar with his previous work it’s still very obviously an album with its maker’s own distinctive stamp all over it.

The boldness, confidence and range of Geldialdi Bakoitzean is in no small way due also to the excellent band that Igerabide has gathered around him of David Etura (drums), Matthieu Haramboure (bass), Pello Gorrotxategi (keyboards) and the sole survivor from the previous album Gorka Urra (guitar, backing vocals).

Geldialdi Bakoitzean is released by Elkar.

www.elkarargitaletxea.eus

www.bigerabide.com

Here is a link to the music video for the song ‘Numinous’:

https://www.youtube.com/watch?time_continue=2&v=mVOZ-D5nIXo