Archive for January 2019

Seijin Noborikawa & Sadao China: Live!

January 23, 2019

In 2001 legendary Okinawan singer Seijin Noborikawa – the ‘Jimi Hendrix of the sanshin’ – was enjoying renewed popularity following his starring role in the movie Nabbie no Koi. On 5th September that year he got together with his former pupil Sadao China to play a joint concert at the live house CAY in Tokyo. The whole concert was recorded but for some reason was never made available in any form until now when it appears on this new 2 CD album.

Noborikawa – usually known by his nickname Seigwa – made a studio album with China three years after this. A live double album of a later Seigwa solo concert at the same venue was also released in 2011. He died in 2013.

The recording quality on the new release is excellent. Live! is subtitled ~Yuntaku to Uta Asobi~ and so we are forewarned this is going to include unedited talk and chat between the two singers in between songs. In Japan and Okinawa (as I’ve mentioned before) audiences not only don’t mind listening to rambling anecdotes but actively encourage it. It therefore comes as no great surprise to find the inclusion of Seigwa and China’s chats taking up around 50 minutes of the total running time of 125 minutes.

A mitigating factor is that Seigwa was generally considered to be an irreverent and amusing character and his jokey playful comments are preserved here as they were heard by the appreciative audience. The recording should be listened to in its entirety at least once in order to obtain the same live experience at home. However, if it gets tiring to hear so much talk repeated on subsequent listens the chatty bits (labelled ‘MC’ here) are all on separate tracks and can be edited out.

As for the music, it’s not surprisingly an exemplary performance from both singers and could hardly have been bettered. On the first (and longer) CD China begins on his own with four songs including ‘Nakuni’ and ‘Shirukumu Bushi’ before inviting Seigwa on stage. Seigwa then tackles some of the big traditional songs. Among them are Okinawa’s ‘Nakuni’, Yaeyama’s ‘Tubarama’, and Miyako’s ‘Togani’ before the pair get together again for ‘Yachaguwa~Yanbarutimatu’.

By the second CD Seigwa is in full swing as he veers off into several playful diversions – one of them an idiosyncratic sanshin instrumental of ‘Kimigayo’. Towards the end Seigwa presents what he calls ‘Minyo Fushi Watari’ which is an almost eight minutes run through of 22 traditional Okinawan songs. For that and the final song ‘Achameguwa’ he is joined by Takashi Hirayasu on sanba and by two members of Osaka band Soul Flower Union, Takashi Nakagawa and Hideko Itami.

The two encores are also two of the best. First is Sadao China’s moving solo version of ‘Jintoyo Waltz’ a song co-written by his father Teihan China and Rinsuke Teruya. Then finally comes Seigwa’s own song ‘Midori no Okinawa’ which he fittingly sings with Takashi Nakagawa who had recorded the song with him.

This is a masterclass by Seijin Noborikawa and Sadao China and it’s an important and unexpected release. It must have been a fun evening if you were lucky enough to be there but it can now be re-lived by anyone interested in two of the Okinawan music greats.

Live! is released today (23rd January) by Respect.