The duo known as Sakishima Meeting are from now on to be officially known as The Sakishima Meeting (or TSM). If Nenes can become Nenez then why not, I suppose. Whatever the reason, this is their second album release and it comes almost four years after their full-length debut The Best. This time all 11 songs are original compositions by the pair of Ishigaki Island singer and sanshin player Yukito Ara and singer/guitarist Isamu Shimoji from Miyako Island.
The thing that strikes immediately is just how loud the CD has been recorded. Enough to have me reaching for the volume control to turn it down to a listenable level that won’t upset the neighbours. This is anything but the silence of Sakishima. The first four tracks are full on and for the most part this is Ara and Shimoji sharing vocal duties and adding a bass player and drummer to their sanshin and guitars (both acoustic and electric).
This is all well and good. They sound more like a real band than before but the recordings on the livelier ‘band’ songs sometimes seem just a little ragged and lacking any kind of interesting arrangement or setting. The one exception is the song ‘Yuningai’ and it works better than the others perhaps because it’s a better song to begin with. But it’s not all noisy and frantic and there are also songs such as ‘Shimakaji’ where Ara’s voice and sanshin shine on a slower piece, while ‘The World of EN’ towards the end of the album is perhaps its finest moment.
Many of the songs are concerned with nature, peace and island life but nothing here surpasses the two outstanding songs on their debut album – ‘Sakishima no Tema’ and ‘Tome Dome’. On the other hand there is more originality and no need this time for covers of tired old Western standards. Best of all is simply that Ara and Shimoji are back in the recording studio as their union has been one of the brightest things to emerge from the Okinawan music scene over the past few years.
A good case can be put for their work as a duo being even better than their solo and band projects. Their contrasting voices and the interplay of sanshin and guitar is what really makes them special. In live performance this works to perfection and in addition there is always the fun interaction between Ara’s flamboyant stage personality and immensely gifted sanshin playing and Shimoji’s sympathetic and steadying influence. They haven’t always reproduced this in the studio where their quieter songs generally fare better than when they let rip with other musicians. There is plenty of time for them to tweak things further and find the right balance. For now, The Silence of Sakishima will do very nicely.
The Silence of Sakishima is released by Arize. The Sakishima Meeting will tour mainland Japan next month to promote the album. The tour begins in Osaka (17th April) and continues in Nagoya (18th), Yokohama (21st) and Tokyo (22nd).